1 00:00:16,578 --> 00:00:22,741 Resync By Chuck :O 2 00:00:22,766 --> 00:00:29,537 ( ♪ Vet for the Insane - Fields of the Nephilim ♪ ) 3 00:00:36,350 --> 00:00:38,841 [Crowd Whooping] 4 00:00:41,322 --> 00:00:44,623 The very next moment of this film... 5 00:00:44,648 --> 00:00:48,593 will change your mind forever... 6 00:00:48,618 --> 00:00:52,164 about art and pornography, my friends. 7 00:00:52,233 --> 00:00:54,565 [Cheering] 8 00:00:59,073 --> 00:01:02,167 You've heard all the rumors. 9 00:01:02,243 --> 00:01:05,440 Now, before you see the truth, 10 00:01:05,513 --> 00:01:08,107 the 11th Annual Continental... 11 00:01:08,182 --> 00:01:11,192 Erotic Film Critics Festival... 12 00:01:11,217 --> 00:01:16,644 introduces the creator of Death and the Lady, 13 00:01:16,669 --> 00:01:21,256 first-prize winner Milton Glantz! 14 00:01:21,329 --> 00:01:23,820 [Cheering Continues] 15 00:01:43,017 --> 00:01:45,349 [Crowd Chanting, Indistinct] 16 00:01:46,821 --> 00:01:48,948 [Crowd] Glantz, Glantz, Glantz, Glantz! 17 00:01:49,023 --> 00:01:51,651 Glantz, Glands, Glantz, Glantz! 18 00:01:56,364 --> 00:02:00,104 How do other erotic filmmakers feel about your entry into their field? 19 00:02:00,129 --> 00:02:02,448 I think it gives them something to aim at. 20 00:02:02,473 --> 00:02:04,411 Glantz! 21 00:02:04,436 --> 00:02:08,584 Glantz! You murderer! You're gonna pay! 22 00:02:08,609 --> 00:02:11,305 [Gina] Out of the way. Police officers. It's not just a movie! 23 00:02:11,378 --> 00:02:14,006 It's real! Murderer! 24 00:02:14,081 --> 00:02:17,856 Come on. Let's calm down. It's not just a movie! 25 00:02:17,881 --> 00:02:21,848 Come on. You killed her, Glantz! You're gonna pay! 26 00:02:21,922 --> 00:02:26,154 You murderer! Murderer! [Echoing] 27 00:03:28,029 --> 00:03:32,307 Look, he killed her. Milton Glantz killed that girl in a film. I was there. 28 00:03:32,332 --> 00:03:37,473 We don't hear anybody else sayin' anything except that it was a skin flick with a fake murder. A real murder. 29 00:03:38,000 --> 00:03:42,432 At first, sure, yeah. We faked it all day, over and over. 30 00:03:42,502 --> 00:03:46,302 This guy Glantz was directing, and he was never satisfied. 31 00:03:46,372 --> 00:03:50,672 Hard-core— Erotic films don't usually go like that. 32 00:03:51,071 --> 00:03:53,062 They're quick and cheap. 33 00:03:54,365 --> 00:03:56,856 Yeah, you'd know somethin' about that, I guess. 34 00:03:57,950 --> 00:04:03,547 Says here you've made 36 peep-show reels, seven porn features, 35 00:04:03,623 --> 00:04:06,751 and he's got 14 obscenity-related arrests. 36 00:04:06,826 --> 00:04:11,160 Did six months in Dade County Correctional Institute... 37 00:04:11,230 --> 00:04:13,221 for the last one. 38 00:04:13,299 --> 00:04:16,063 Then you were released on parole. 39 00:04:17,069 --> 00:04:19,815 July 26 you reported a murder. 40 00:04:19,840 --> 00:04:24,136 Uniforms found signs of moviemaking— makeup blood— no murder. 41 00:04:24,210 --> 00:04:28,044 You said snuff porn. But even if it was just regular porn, you're riskin' your parole. 42 00:04:28,114 --> 00:04:31,242 I know. You're lucky that they didn't lock you up again back in July! 43 00:04:31,317 --> 00:04:33,512 I know! I thought maybe that— 44 00:04:33,586 --> 00:04:35,645 What? That we'd help you? 45 00:04:35,721 --> 00:04:39,054 You got nothin'. You got nothin' here. 46 00:04:39,125 --> 00:04:42,356 You made a public threat. Look, what do you got against this director? 47 00:04:42,428 --> 00:04:47,759 Nothin'! I didn't even know his name until I saw his picture in the Herald about this erotic film festival. 48 00:04:47,784 --> 00:04:52,603 That's how I finally tracked him down. Then you rehearsed the murder— the fake murder— all day long? 49 00:04:52,628 --> 00:04:54,955 - Yeah... Yes! - All day long? 50 00:04:54,980 --> 00:04:59,404 It was me and a lighting guy in this wolf's head. 51 00:04:59,478 --> 00:05:02,208 Look, Glantz had called a wrap about 5:00, and everybody took off. 52 00:05:02,281 --> 00:05:05,944 I'm headin' toward the door when here comes Blondie and another guy in a wolf's head, 53 00:05:06,018 --> 00:05:08,248 and he says that we're gonna do it again. 54 00:05:08,321 --> 00:05:10,380 You said another guy in a wolf's head. 55 00:05:10,456 --> 00:05:12,447 Who was it? 56 00:05:12,525 --> 00:05:14,516 I didn't see it off him. 57 00:05:15,528 --> 00:05:18,496 Blondie gets back in bed, and we run through the snuff just like before. 58 00:05:18,521 --> 00:05:21,767 Except for this time, the guy in the wolf's head really kills her. 59 00:05:21,834 --> 00:05:25,746 Sorry, pal. Nobody snuffs anybody with an entire film crew as witnesses. 60 00:05:25,771 --> 00:05:28,808 I told you. He'd wrapped the crew. It was just the three of us! 61 00:05:28,833 --> 00:05:31,943 - And you couldn't stop it, huh? - He had a knife. 62 00:05:32,011 --> 00:05:35,276 Maybe Glantz didn't do it, but it was his film! 63 00:05:35,348 --> 00:05:41,014 It was a setup. This guy Glantz put Knox up to it so he could sell more tickets. 64 00:05:41,087 --> 00:05:43,681 [Tubbs] He doesn't even know who was in the wolf's head. Wolf's head? 65 00:05:43,756 --> 00:05:46,623 Ooh, did you see the flick? What was the rating? 66 00:05:46,692 --> 00:05:50,856 On a Deep Throat scale of violence to women? About an 11. 67 00:05:50,930 --> 00:05:56,095 Other parts of it are a mild turn-on. Glantz has a nice touch. 68 00:05:56,168 --> 00:05:58,329 Gina. I saw the film this morning. 69 00:05:58,404 --> 00:06:03,137 Forget about this bogus guy. We've got better things to do than chase around after guys in raincoats. 70 00:06:03,209 --> 00:06:05,837 If they wanna look at that stuff, so what? 71 00:06:05,911 --> 00:06:11,508 And what's this? Uhh, that's evidence from the crack house bust we made last night... 72 00:06:11,584 --> 00:06:13,779 while you and Cinderella were at the sleaze ball. 73 00:06:13,853 --> 00:06:15,878 Could you log it in, please? 74 00:06:15,955 --> 00:06:19,891 Listen, Glantz has a fat bio in this Dictionary of American Artists. 75 00:06:19,959 --> 00:06:22,393 He was born in Chicopee, Massachusetts. 76 00:06:22,461 --> 00:06:24,588 He attended the Rhode Island School of Design... 77 00:06:24,664 --> 00:06:28,100 and shows at the best galleries like Sonnabend and Burgess. 78 00:06:28,167 --> 00:06:30,897 So what's a classy guy like that doin' makin' X-rated films? 79 00:06:30,970 --> 00:06:33,530 "His work bridges fine arts and popular media, 80 00:06:33,606 --> 00:06:36,939 redeeming images of suffering with technical precision." 81 00:06:37,009 --> 00:06:39,204 "Technical precision"! 82 00:06:39,278 --> 00:06:42,076 [Laughs] I'd call this stuff "dirty movies." 83 00:06:42,148 --> 00:06:44,139 But then, what the hell do I know? 84 00:06:44,216 --> 00:06:46,844 Can someone help me out over here? 85 00:06:46,919 --> 00:06:49,410 Yeah, could you help her out over here? [Tubbs] Yeah, right. 86 00:06:49,488 --> 00:06:52,946 You know, in his speech last night, Glantz said that what he's doing now... 87 00:06:53,025 --> 00:06:56,182 is called '"erotic performance art." 88 00:06:56,207 --> 00:07:00,727 You know, some of it's not bad. I mean, he's won enough awards. Yeah. What about that guy Knox? 89 00:07:00,800 --> 00:07:03,530 He's a chump. I still can't understand what makes him tick. 90 00:07:03,602 --> 00:07:06,935 Physically or mentally? Well, maybe he likes the rehearsals. 91 00:07:07,006 --> 00:07:09,702 Tulane Knox. He's in and out of prison. 92 00:07:09,775 --> 00:07:13,267 Day laborer with odd jobs. He's a regular in the porno loops. 93 00:07:13,346 --> 00:07:18,340 And he also poses for those stills in the stroke books. 94 00:07:18,417 --> 00:07:21,250 And live sex shows in San Francisco. 95 00:07:21,320 --> 00:07:24,756 You mean, dead sex shows in Miami, according to him. Hmm. 96 00:07:24,824 --> 00:07:26,951 Whoa! What? 97 00:07:27,026 --> 00:07:29,290 What's in here? [Crockett] What? 98 00:07:29,362 --> 00:07:33,298 You found some rat's nest, huh? Maybe one of'em stowed away. 99 00:07:33,366 --> 00:07:37,803 Oh, yeah? Well, swell. Here. Come on. It's your evidence. You look. 100 00:07:37,870 --> 00:07:43,467 For goodness sake. A nice police officer like you. Hmm! 101 00:07:43,542 --> 00:07:46,670 Aww! I wonder how that got there. 102 00:07:46,746 --> 00:07:49,977 Hmm? Well. 103 00:07:50,049 --> 00:07:52,609 Ohh! Probably followed one of those rats, huh? 104 00:07:54,586 --> 00:07:56,577 Didn't you lose a kitty? 105 00:07:56,655 --> 00:08:00,887 Go on. Get 'im outta here. Go feed the little monster. [Giggles] 106 00:08:00,959 --> 00:08:05,105 Now maybe we won't have to listen to her complain about the lost cat. 107 00:08:05,147 --> 00:08:07,377 What about Death and the Lady? 108 00:08:07,450 --> 00:08:09,577 I say we forget it. I don't think so. 109 00:08:09,652 --> 00:08:12,450 You know, I don't think it was a publicity stunt. 110 00:08:12,521 --> 00:08:17,686 If Knox is on parole, why would he squawk on Glantz a second time without proof? 111 00:08:17,760 --> 00:08:20,729 He'd just wind up bein' sent right back up to the slammer. 112 00:08:22,164 --> 00:08:25,847 Are we entertaining the idea here that we got a murder investigation? 113 00:08:26,602 --> 00:08:29,158 We got a two-bit porno actor... 114 00:08:29,183 --> 00:08:33,136 who says a world-famous director killed a girl then made a film about it. 115 00:08:33,209 --> 00:08:36,474 Now he's chargin' 8.50 for a seat. Is that right? 116 00:08:36,545 --> 00:08:39,309 That's the ticket. 117 00:08:39,382 --> 00:08:43,751 We got a murder allegation, and we got it in the press. 118 00:08:45,094 --> 00:08:47,824 I'm putting Knox on the street and notifying Corrections. 119 00:08:47,890 --> 00:08:51,053 Maybe they wanna pull him in on his parole. 120 00:08:51,126 --> 00:08:55,062 But don't close the file. I wanna keep it open until we've got the whole story. 121 00:08:55,130 --> 00:08:57,792 You know somethin' we don't? 122 00:08:58,941 --> 00:09:03,367 No, except that it says in the news here that, uh, 123 00:09:03,439 --> 00:09:07,808 the mayor has six paintings by Milton Glantz, 124 00:09:07,876 --> 00:09:11,312 including, uh, the giant contact lens. 125 00:09:13,916 --> 00:09:16,885 If he calls, I wanna have the whole goods. What's that doing here? 126 00:09:17,913 --> 00:09:19,879 Evidence. 127 00:09:22,057 --> 00:09:24,048 [Meows] 128 00:09:27,363 --> 00:09:29,354 [Chuckles] 129 00:09:29,431 --> 00:09:31,763 [Chattering] 130 00:09:32,881 --> 00:09:40,383 ( ♪ Never Let Me Down Again (Aggro Mix) - Depeche Mode ♪ ) 131 00:09:51,020 --> 00:09:53,818 [Man] Hey, you're gonna like it! 132 00:10:02,131 --> 00:10:04,895 Put big wrapping. Wrap. 133 00:10:04,967 --> 00:10:07,162 Wrap. Okay. Look at me. 134 00:10:07,236 --> 00:10:09,295 Look at me. Good. Wrap. 135 00:10:09,371 --> 00:10:12,636 See, part of my art lies in engaging the illicit. 136 00:10:12,708 --> 00:10:16,701 Probing the truth of all human experience, even the dark, violent side. 137 00:10:16,779 --> 00:10:20,215 Keep wrapping, John. Chan, wrap his chest. Well, rumor has it that, uh, 138 00:10:20,282 --> 00:10:25,720 you might've gotten a little overzealous in your probing of the dark, violent side. 139 00:10:25,788 --> 00:10:27,722 Well— 140 00:10:27,790 --> 00:10:32,227 Well, I try to be realistic, not real. [Laughs] 141 00:10:32,294 --> 00:10:37,197 Look. Yeah, meanwhile, nobody's seen the star of your movie around anywhere. 142 00:10:37,266 --> 00:10:40,463 Well, she's, uh, no doubt around the festival promoting herself. 143 00:10:40,536 --> 00:10:43,369 You know. [Giggles] Who isn't? 144 00:10:43,439 --> 00:10:47,307 Leave these plastic rolls right in here. Leave the rolls right in here. 145 00:10:47,376 --> 00:10:51,244 I noticed that you didn't even give her a— a credit in your movie. 146 00:10:51,313 --> 00:10:54,009 Stand back. Walk away, walk away. 147 00:10:54,989 --> 00:10:57,004 What's her name, anyway? 148 00:11:00,389 --> 00:11:02,516 We called her Blondie. 149 00:11:03,592 --> 00:11:07,119 But... I think her name was... 150 00:11:07,196 --> 00:11:09,187 Lori. 151 00:11:14,149 --> 00:11:16,140 Um, Swann. 152 00:11:17,239 --> 00:11:19,434 Swann, I think. 153 00:11:21,210 --> 00:11:23,974 Um, come back. Step in, step in. 154 00:11:24,046 --> 00:11:27,140 Two faces, right here. I want a shot of this. Two faces right next— 155 00:11:27,216 --> 00:11:29,878 That's it. And then continue wrapping. 156 00:11:31,053 --> 00:11:32,770 Lori Swann, huh? 157 00:11:32,795 --> 00:11:34,786 Yeah. 158 00:11:47,703 --> 00:11:51,161 You know, when you started asking questions, I assumed you were with the press. 159 00:11:51,240 --> 00:11:54,539 But now, I, uh— I don't recall your credentials. 160 00:11:54,610 --> 00:11:57,238 Well, now, there's a good reason for that. 161 00:11:57,312 --> 00:11:59,303 I didn't show 'em to ya. 162 00:12:02,395 --> 00:12:05,085 Oh, how elegant. 163 00:12:05,154 --> 00:12:07,145 Miami Vice. 164 00:12:07,222 --> 00:12:10,157 Uh, Detective Crockett, is it? Yep. 165 00:12:10,225 --> 00:12:15,663 Are you fascinated with art, or did you take an art course in college, or, uh, did you go to college? 166 00:12:15,731 --> 00:12:17,722 I mean, why are you here? [Chuckles] 167 00:12:17,800 --> 00:12:20,394 Hmm? Well, I'll tell ya. 168 00:12:20,469 --> 00:12:24,906 Now, personally, I don't give a damn if you wanna make dirty movies all day... 169 00:12:24,973 --> 00:12:27,703 and you show 'em to a bunch of mouth breathers. 170 00:12:27,776 --> 00:12:29,937 That's entirely up to you. 171 00:12:30,012 --> 00:12:33,345 But I am gonna find that girl. 172 00:12:33,415 --> 00:12:35,883 [Sighs] Do you know where she lives? 173 00:12:35,951 --> 00:12:39,785 Hmm. Yes, where do women like that live? 174 00:12:39,855 --> 00:12:41,846 Where did you find her? 175 00:12:41,924 --> 00:12:47,487 A high-class modeling agency that recruits in, uh, low-class establishments. 176 00:12:47,563 --> 00:12:50,293 Uh, peep shows, I believe they're called. 177 00:12:52,868 --> 00:12:55,200 Almost finished. Hmm? 178 00:12:56,705 --> 00:12:58,935 Almost finished, huh? Yeah. 179 00:13:00,475 --> 00:13:02,966 Yes, almost. Yes. 180 00:13:04,446 --> 00:13:06,437 You see, movies— [Can Thuds] 181 00:13:06,515 --> 00:13:07,902 Are just an illusion. 182 00:13:07,927 --> 00:13:12,850 If people wanna believe they're real, they'll have a more satisfying artistic encounter. 183 00:13:13,625 --> 00:13:16,916 And if they spend more money— 184 00:13:18,861 --> 00:13:20,852 [Chuckles] Yeah. 185 00:13:20,929 --> 00:13:24,160 I mean, if they wanna believe they're real, what difference does it make? 186 00:13:24,233 --> 00:13:26,258 Oh, it makes a lot of difference— 187 00:13:27,269 --> 00:13:29,464 to the girl. 188 00:13:33,976 --> 00:13:37,571 Do you have a light? No, gave it up. 189 00:13:37,646 --> 00:13:39,944 Oh, here we go. Here's one. 190 00:13:41,366 --> 00:13:43,357 [Match Strikes] 191 00:13:58,125 --> 00:14:01,026 I want some Polaroids of this. 192 00:14:05,224 --> 00:14:07,215 [Creaking] 193 00:14:07,292 --> 00:14:11,490 It was a one-day shoot. Easy lighting. Paid in cash. 194 00:14:11,563 --> 00:14:13,895 I wish all my gigs were that easy. 195 00:14:15,617 --> 00:14:19,383 So what about the murder scene? Look, that's what the bonus was for. 196 00:14:19,454 --> 00:14:22,150 Glantz said, "Anyone asks, say the snuff was real." 197 00:14:22,224 --> 00:14:24,886 He wanted some ink on goin' for realism. It's bull. 198 00:14:24,960 --> 00:14:30,227 It's something. So, you just, uh, left the lights on and went for a drink? 199 00:14:30,299 --> 00:14:35,999 Yeah. We got it all, then left the gear there and went for a pop— me, Glantz, Sam, the cameraman and the girl. 200 00:14:36,071 --> 00:14:38,437 The guy was too loaded. 201 00:14:39,508 --> 00:14:42,534 Death and the Lady. I was on that shoot. 202 00:14:42,611 --> 00:14:46,411 Did anything unusual happen? Yeah. We got paid. 203 00:14:46,481 --> 00:14:49,507 Now, did anyone get killed? Course not. 204 00:14:49,584 --> 00:14:53,452 I shot every foot of it, 14 rolls in all. 205 00:14:53,522 --> 00:14:57,424 Every frame a work of art. You're pretty proud of it, huh? 206 00:14:57,492 --> 00:14:59,517 Ah, it's a living. Uh-huh. 207 00:14:59,594 --> 00:15:01,824 Maybe I'll get an award for it. 208 00:15:01,897 --> 00:15:05,731 Now look, just for the record, um, did you shoot the whole film? 209 00:15:05,801 --> 00:15:08,929 That's not the whole film, just the snuff part. 210 00:15:09,004 --> 00:15:13,065 Glantz shot some in Nassau. Shot some pickups in New York. The knife going in, for instance? 211 00:15:13,141 --> 00:15:18,340 Yeah. Well, I knew that wasn't my bit the moment I saw it. I told him, it's not my style. 212 00:15:18,413 --> 00:15:21,507 He laughed. He said I caught him. [Laughs] 213 00:15:21,583 --> 00:15:25,953 He respects me, but he wouldn't tell me where he got it. 214 00:15:25,978 --> 00:15:28,189 Yeah, thanks. Not him. See you later. 215 00:15:28,256 --> 00:15:30,247 All right. Thanks a lot. Yeah. 216 00:15:35,605 --> 00:15:41,965 ( ♪ The Story Never Ends - Naked Prey ♪ ) 217 00:15:42,037 --> 00:15:44,597 [Man And how fast are you? 218 00:15:44,673 --> 00:15:47,836 [Woman] Fast as you want me to be. 219 00:15:50,679 --> 00:15:52,977 [Continues, Indistinct] 220 00:15:53,048 --> 00:15:57,178 Remind me again what we're doin'. Investigating a murder that took place in a movie. 221 00:15:57,252 --> 00:15:59,447 Mm-hmm. I was afraid of that. 222 00:15:59,521 --> 00:16:03,150 You know, sometimes they say that, uh, modeling agencies recruit women in here. 223 00:16:03,225 --> 00:16:07,127 Well, beauty is where you find it, pal. Yeah, I heard that. 224 00:16:08,830 --> 00:16:10,821 [Chattering] 225 00:16:11,833 --> 00:16:13,824 [Laughing] 226 00:16:14,836 --> 00:16:18,533 Excuse me, I'm looking for a young lady, name of Lori. 227 00:16:21,443 --> 00:16:25,004 Mmm. Ask her. 228 00:16:26,915 --> 00:16:28,906 Thanks. 229 00:16:31,480 --> 00:16:34,616 About so tall. Her name's Lori. 230 00:16:41,129 --> 00:16:43,120 Hey, you wanna party? 231 00:16:44,633 --> 00:16:49,502 I wanna talk. Baby, you know I only talk in here. 232 00:17:03,999 --> 00:17:05,511 [Bell Dings] 233 00:17:07,556 --> 00:17:11,151 I'm looking for a girl named Lori. How about a little tip, baby? 234 00:17:20,535 --> 00:17:23,561 Oh, baby. Only two dollars? 235 00:17:24,873 --> 00:17:27,899 She's a blonde. Her name is Lori. [Bell Dings] 236 00:17:30,145 --> 00:17:32,136 [Groans] 237 00:17:37,152 --> 00:17:39,313 [Bell Dings] 238 00:17:39,387 --> 00:17:41,947 She's about, uh, 22, 23, 239 00:17:43,558 --> 00:17:45,549 5' 8", 5' 9", 240 00:17:46,995 --> 00:17:48,986 long blonde hair. 241 00:17:51,236 --> 00:17:53,227 Maybe. 242 00:17:55,276 --> 00:17:57,608 You know where I can find her? [Bell Dings] 243 00:18:04,146 --> 00:18:06,137 [Bell Dings] 244 00:18:07,282 --> 00:18:09,273 Hi. 245 00:18:18,093 --> 00:18:20,823 [Man, Woman Arguing In Spanish] 246 00:18:25,417 --> 00:18:28,648 We already talked to Glantz and the electrician, and nobody says it happened. 247 00:18:28,721 --> 00:18:32,919 I was there. I talked to Lori— Blondie—you know, the girl you said that was dead. 248 00:18:32,991 --> 00:18:36,722 You're wasting our time with this stunt. We don't like nobody to waste our time! 249 00:18:36,795 --> 00:18:40,253 I saw her! He ripped her open! 250 00:18:40,332 --> 00:18:44,530 I dream about it, and I dream about it! 251 00:18:44,603 --> 00:18:47,265 [Sobbing] What's the use, huh? 252 00:18:47,339 --> 00:18:49,330 He's a big "Who-do", right? 253 00:18:49,408 --> 00:18:54,141 Well, you cops—You always let those guys get away with murder! 254 00:19:01,484 --> 00:19:03,577 [TV] 255 00:19:03,653 --> 00:19:06,087 [Tubbs] Nobody says there was a murder. Except Knox. 256 00:19:06,156 --> 00:19:10,354 It's his word against the word of a famous artist who kids study at college. 257 00:19:10,426 --> 00:19:13,190 And against everybody else who worked on the film. 258 00:19:13,263 --> 00:19:16,391 Including the woman who claimed she was killed. 259 00:19:16,466 --> 00:19:18,957 Well, the D.A. Wants an update. So where are we? 260 00:19:19,035 --> 00:19:21,401 We have nothing. Find the original negative? 261 00:19:21,471 --> 00:19:24,201 [Switek] It's at Regal Lab. We checked it. It's the negative. 262 00:19:24,274 --> 00:19:27,505 No help. [Hughes] So I can tell the D.A. It's all showbiz, right? 263 00:19:27,577 --> 00:19:31,138 [Tubbs] Maybe. This guy Glantz sure has a way of finally getting your attention. 264 00:19:31,214 --> 00:19:33,944 [Hughes] Hold it, hold it. Where's the crime? 265 00:19:34,017 --> 00:19:36,315 You said you talked to the woman, and she's alive. 266 00:19:36,386 --> 00:19:40,789 Look at her eyes. They're dead. 267 00:19:46,476 --> 00:19:49,428 There are the files on everyone in the industry— 268 00:19:49,499 --> 00:19:52,161 porno films, magazines— 269 00:19:52,235 --> 00:19:54,863 everyone and everything. 270 00:19:54,938 --> 00:19:56,929 Hey, you see that? 271 00:19:57,006 --> 00:20:00,464 Pornographic graffiti from the ruins of Pompeii. 272 00:20:00,543 --> 00:20:03,034 And this— this is Hinda Wassau. 273 00:20:03,112 --> 00:20:06,275 The first stripper to ever caress her own body in her act, huh? 274 00:20:06,349 --> 00:20:09,250 John Henry Kurtz's pornographic photographs. Do you know what? 275 00:20:09,319 --> 00:20:13,593 He sold these in the Civil War to the Union armies. 276 00:20:13,618 --> 00:20:17,279 Listen, I've got a file on a tape that you would really enjoy. 277 00:20:17,304 --> 00:20:20,223 Lori Swann, two N's. 278 00:20:20,296 --> 00:20:24,255 She's been in the business a while. Peep show grind artist, part-time. 279 00:20:24,334 --> 00:20:27,030 Yeah, I'll look. 280 00:20:27,103 --> 00:20:29,333 Lori Swann. [Typing] 281 00:20:31,241 --> 00:20:33,607 Ah. Born Lauren Swann Hunter. 282 00:20:33,676 --> 00:20:35,974 Huh. Quite a career. 283 00:20:36,045 --> 00:20:40,789 It's too bad these people don't make royalties on their tape rentals, huh? [Laughs] 284 00:20:40,814 --> 00:20:46,265 - Is that Death and the Lady? - Mm-hmm, yeah. Too fussy for my book though. Self-conscious. 285 00:20:47,423 --> 00:20:50,551 Second one she's made, though, for the artist. 286 00:20:50,627 --> 00:20:52,465 Talkin' about Glantz? Mmm. 287 00:20:52,490 --> 00:20:54,325 What's the other one? [Taps Key] 288 00:20:54,731 --> 00:21:00,030 Twins, last year. Hey, you know, I've got stills from that here somewhere. 289 00:21:01,938 --> 00:21:04,429 Yeah. Yeah. 290 00:21:05,442 --> 00:21:07,433 [Chuckles] 291 00:21:14,784 --> 00:21:16,775 Twins is right. 292 00:21:19,720 --> 00:21:21,337 ( ♪ Rock ♪ ) 293 00:21:22,125 --> 00:21:24,116 Hit the bricks, sport. 294 00:21:24,194 --> 00:21:26,185 Go on! Beat it. 295 00:21:27,630 --> 00:21:29,962 Seen any good movies lately? 296 00:21:30,033 --> 00:21:32,160 I just saw a classic. 297 00:21:32,235 --> 00:21:34,726 It was called Twins. Yeah? 298 00:21:34,804 --> 00:21:36,999 Turn you on big time? 299 00:21:37,073 --> 00:21:39,166 [Gasps] 300 00:21:39,242 --> 00:21:43,083 Who was the other woman? Hey, no big deal. We just called her Blaize. 301 00:21:43,108 --> 00:21:46,370 You know where I can find her? We—We model at art school. 302 00:21:46,599 --> 00:21:50,729 I sometimes pick up some extra. It's— It's a straight place. 303 00:21:50,803 --> 00:21:53,135 Nude poses, but single only. No— No doubles. 304 00:21:53,206 --> 00:21:56,073 I'll give you the address. Thank you. 305 00:22:11,925 --> 00:22:16,794 [Trudy] Excuse me. Can you tell me where Mr. Lifton is? 306 00:22:16,863 --> 00:22:19,991 Mr. Lifton? Sir, we'd like to talk to you, please. 307 00:22:21,634 --> 00:22:25,627 [Gina] Hi. We're tryin' to locate a model by the name of Blaize. 308 00:22:25,705 --> 00:22:27,696 Blaize? Pretty, blonde, medium height. 309 00:22:27,774 --> 00:22:31,767 Ah, well, we get so many street kids modelin'. Oh, how about these two? 310 00:22:32,711 --> 00:22:37,273 Sure. That's, uh, Lori Swann on the right. 311 00:22:37,483 --> 00:22:39,815 The other girl is... 312 00:22:40,820 --> 00:22:43,015 Amy Ryder. 313 00:22:43,089 --> 00:22:45,080 Mm-hmm. That's her name. 314 00:22:45,158 --> 00:22:47,524 [Chuckles] I can never remember. 315 00:22:47,594 --> 00:22:51,092 Of course, I haven't seen Amy in some time— they come, they go. 316 00:22:51,117 --> 00:22:54,791 Amy, um, models here in exchange for lessons. 317 00:22:54,867 --> 00:22:59,861 Yeah. No talent, but a real serious worker— when she shows up. 318 00:23:01,274 --> 00:23:04,471 Some of the students keep things here— 319 00:23:04,544 --> 00:23:08,412 you know, works in progress, stuff like that. 320 00:23:08,481 --> 00:23:10,779 This is hers. 321 00:23:10,850 --> 00:23:13,580 Amy's sketchbook. 322 00:23:13,926 --> 00:23:16,759 She was proud of some of this. 323 00:23:17,490 --> 00:23:19,958 Must've figured she was comin' back. 324 00:23:21,461 --> 00:23:23,827 I guess I oughta send it on to her. 325 00:23:32,238 --> 00:23:36,232 You're not Amy Ryder. Do I have the right apartment? Uh, no. I'm Jill, her sister. 326 00:23:36,257 --> 00:23:37,981 Oh. How can I help you? 327 00:23:38,006 --> 00:23:43,915 I'm Sonny Burnett. I take some classes at the art school that Amy goes to. I was cleaning out my locker. 328 00:23:43,983 --> 00:23:48,579 I found her sketch pad. I don't know how the hell it got in there, but I thought maybe she might want it. 329 00:23:48,655 --> 00:23:53,718 She hasn't been around much since she, uh, went to make that movie. I don't know anything about that. 330 00:23:53,793 --> 00:23:56,523 Do you know where she's been? Oh, she just went out. 331 00:23:56,596 --> 00:24:00,760 Just now? I mean, she hasn't been out of town? 332 00:24:00,833 --> 00:24:03,666 [Phone Ringing] No, why would she be? 333 00:24:03,736 --> 00:24:06,398 [Man] Jillie? Oh, uh, I gotta go. 334 00:24:06,472 --> 00:24:09,066 Sorry. 335 00:24:09,142 --> 00:24:11,736 [Crowd Chattering] 336 00:24:16,316 --> 00:24:23,097 ( ♪ Pleasure, Little Treasure - Depeche Mode ♪ ) 337 00:24:38,237 --> 00:24:40,967 Ah, Mr. Crockett. Mr. Tubbs. 338 00:24:41,040 --> 00:24:43,270 Have you located my star? Lori Swann? 339 00:24:43,343 --> 00:24:46,779 Ah, that's her name. That's not who we're looking for. 340 00:24:46,846 --> 00:24:49,007 We'd like to have a word with you. 341 00:24:50,550 --> 00:24:52,643 Excuse me. 342 00:24:52,719 --> 00:24:55,745 [Continues, Indistinct] 343 00:24:55,822 --> 00:25:00,555 Who are you looking for? [Chuckles] Her look-alike— the woman who could've been killed in her place. 344 00:25:00,626 --> 00:25:03,857 Oh, this is wild. Who is Lori Swann's look-alike, hmm? 345 00:25:03,930 --> 00:25:05,955 [Laughs] Come on, Mr. Glantz. 346 00:25:06,032 --> 00:25:09,627 You worked with her before. The woman in the close-up. 347 00:25:09,702 --> 00:25:14,002 The woman who was killed. Mr. Crockett, you're fixated on dead people. 348 00:25:14,073 --> 00:25:16,598 Are you a necrophiliac? Come on. [Chuckling] 349 00:25:19,509 --> 00:25:22,472 No. No, not yet, but I'm workin' on it. 350 00:25:22,548 --> 00:25:25,278 You know, you're a man motivated by curiosity. 351 00:25:25,351 --> 00:25:27,342 So am I. 352 00:25:27,420 --> 00:25:28,861 It's fascinating. 353 00:25:28,895 --> 00:25:31,408 We're the same kind of person. 354 00:25:32,325 --> 00:25:34,316 No, we're not. 355 00:25:36,796 --> 00:25:39,026 I think this is dirty business, 356 00:25:40,743 --> 00:25:42,734 and you think it's art. 357 00:25:46,018 --> 00:25:48,769 Hmm. Your cameraman, Sam Asch, 358 00:25:48,841 --> 00:25:51,969 said that he wasn't present when you shot the murder inserts. 359 00:25:52,044 --> 00:25:55,741 No, he wasn't. You'd like to meet the woman I used for the inserts? 360 00:25:55,815 --> 00:25:58,079 Amy Ryder? Who? 361 00:25:58,150 --> 00:26:00,619 Amy Ryder. Lori's double. 362 00:26:00,644 --> 00:26:02,807 Oh, of course, Amy Ryder. 363 00:26:02,832 --> 00:26:08,016 But I thought you meant the double I used in Death and the Lady— Margot Frank. 364 00:26:13,549 --> 00:26:17,299 Margot is the unacknowledged star of a number of my films. 365 00:26:17,324 --> 00:26:19,383 [Both Chuckle] 366 00:26:19,689 --> 00:26:24,126 In New York we did the pickup scenes— you know, the close-ups and the special effects. 367 00:26:24,193 --> 00:26:29,559 - When? - Umm, six weeks after we finished filming here and in the Bahamas. 368 00:26:29,584 --> 00:26:32,144 I can get the exact dates if you like. 369 00:26:35,304 --> 00:26:37,966 Margot also... 370 00:26:38,617 --> 00:26:40,608 did the dead eyes. 371 00:26:57,526 --> 00:27:00,791 So drop by when I have more time, 372 00:27:00,863 --> 00:27:04,765 and I'll give you a course on how much more real art is than life. 373 00:27:05,901 --> 00:27:10,031 But now I have this dumb party to attend to, so if you'll excuse me— 374 00:27:13,542 --> 00:27:15,533 Something wrong? 375 00:27:17,947 --> 00:27:20,074 Tell me. 376 00:27:20,149 --> 00:27:23,744 What was it like playing a woman that gets raped and then murdered? 377 00:27:23,819 --> 00:27:26,219 It was fun. 378 00:27:26,288 --> 00:27:28,950 I've done— [Laughs] 379 00:27:29,025 --> 00:27:31,016 Lots of things. 380 00:27:43,205 --> 00:27:46,140 My film must've convinced you. Hmm? 381 00:27:46,449 --> 00:27:51,113 And I didn't even have to go through the trouble of really killing someone. Aah! 382 00:27:52,381 --> 00:27:54,941 Yeah, it bein' so messy and all. 383 00:27:59,355 --> 00:28:01,880 [Crowd Cheering] 384 00:28:14,168 --> 00:28:16,762 [Woman On TV] And now, this week's "Spotlight On Show Business." 385 00:28:16,838 --> 00:28:20,968 Entertainment reporter Robert Selnik comes to us with a very different look... 386 00:28:21,042 --> 00:28:24,307 into the often steamy world of X-rated films. 387 00:28:24,379 --> 00:28:26,870 [Selnik] The press for years created a wall... 388 00:28:26,948 --> 00:28:30,406 separating those people within the business of pornography... 389 00:28:30,485 --> 00:28:33,010 from the rest of the industry. 390 00:28:33,087 --> 00:28:36,648 At this point it's time to introduce you to some of the controversy... 391 00:28:36,724 --> 00:28:40,717 surrounding the Continental Erotic Art Awards that are going on in Miami right now. 392 00:28:40,795 --> 00:28:44,754 One of the people who has brought down the house, so to speak, is Milton Glantz. 393 00:28:44,832 --> 00:28:46,823 Milton, welcome. 394 00:28:46,901 --> 00:28:48,892 Let me start by asking: 395 00:28:48,970 --> 00:28:53,270 Do you use erotic violence in your movies to titillate your audience? 396 00:28:53,341 --> 00:28:57,573 I try to bring out the element of violence and danger. 397 00:28:57,645 --> 00:28:59,636 [Laughs] And... 398 00:29:01,015 --> 00:29:06,612 that exists only when illusion and reality have a very fine line. 399 00:29:06,688 --> 00:29:11,819 [Selnik] Well, the audience is, after all, sitting in a theater. They know this isn't real. 400 00:29:11,893 --> 00:29:13,986 [Glantz] Well, I think the audience... 401 00:29:15,296 --> 00:29:17,287 has an appetite... 402 00:29:17,365 --> 00:29:19,799 for violence... 403 00:29:19,867 --> 00:29:21,858 that is primal— 404 00:29:23,071 --> 00:29:25,733 that releases in them... 405 00:29:26,741 --> 00:29:30,734 an awareness in an unconscious level that, uh— 406 00:29:30,812 --> 00:29:32,803 that is very frightening. 407 00:29:32,880 --> 00:29:37,078 And I am just a facilitator of that. 408 00:29:37,151 --> 00:29:39,142 I am just— 409 00:29:53,434 --> 00:29:55,425 [Tubbs] Sonny. 410 00:29:56,804 --> 00:29:58,795 You all right? 411 00:29:59,807 --> 00:30:01,798 Yeah. 412 00:30:04,212 --> 00:30:06,373 You want somethin' particular, Rico? 413 00:30:10,017 --> 00:30:12,008 Just dropped by. 414 00:30:16,257 --> 00:30:18,817 It's a beautiful night. 415 00:30:18,893 --> 00:30:21,259 Moon over Miami. 416 00:30:29,771 --> 00:30:31,762 [Bottle Thuds] 417 00:30:34,375 --> 00:30:37,606 I was thinking about somethin' that happened when I was in high school. 418 00:30:39,670 --> 00:30:41,604 Yeah? 419 00:30:42,438 --> 00:30:44,372 What? 420 00:30:49,257 --> 00:30:51,248 There was this girl. 421 00:30:53,694 --> 00:30:56,686 She was no beauty, but she was nice. 422 00:31:01,069 --> 00:31:05,506 She got drunk one night at a victory party after one of our games, and... 423 00:31:08,242 --> 00:31:11,040 went off with a bunch of the guys from the team. 424 00:31:12,980 --> 00:31:14,971 This happened, 425 00:31:15,049 --> 00:31:17,040 that happened. 426 00:31:19,520 --> 00:31:22,080 One of the guys took a Polaroid picture of her. 427 00:31:24,759 --> 00:31:26,750 The next day he... 428 00:31:28,907 --> 00:31:31,068 put it up in the locker room. 429 00:31:31,093 --> 00:31:34,085 It was pretty raw stuff, you know? 430 00:31:39,107 --> 00:31:41,098 She never knew about it. 431 00:31:43,251 --> 00:31:45,412 Yeah? But that's not the point. 432 00:31:46,903 --> 00:31:50,093 It didn't matter that she didn't know about it. 433 00:31:50,118 --> 00:31:55,454 It wasn't any of my business. I didn't have anything to do with it. But I f— I felt like I sh— 434 00:31:58,326 --> 00:32:00,851 [Sighs] I should've ripped that picture down. 435 00:32:10,369 --> 00:32:12,360 But I never did. 436 00:32:21,983 --> 00:32:23,974 [Sighs] 437 00:32:26,821 --> 00:32:31,554 This is the insert that Glantz says he shot of his model Margot in New York... 438 00:32:31,626 --> 00:32:35,687 six weeks after he'd filmed Lori here. 439 00:32:35,763 --> 00:32:39,074 I got Regal Lab to print this up from the original negative. 440 00:32:39,099 --> 00:32:42,000 Look at the edge numbers. The lab numbers? What about 'em? 441 00:32:42,069 --> 00:32:44,299 These are frames... 442 00:32:44,371 --> 00:32:46,729 of the film with Lori, 443 00:32:46,757 --> 00:32:49,248 before the murder insert. 444 00:32:49,327 --> 00:32:52,421 Now look at these edge numbers. Hmm. 445 00:32:52,496 --> 00:32:57,763 They're in a slightly different sequence, but they're close to the others. 446 00:33:01,639 --> 00:33:04,767 - This case really got to you, didn't it? - Case? 447 00:33:06,010 --> 00:33:08,069 What damn case? 448 00:33:08,145 --> 00:33:11,205 We don't have a damn case. Right. 449 00:33:12,197 --> 00:33:14,274 The D.A. Said we didn't have a case. 450 00:33:14,352 --> 00:33:17,253 Because Lori Swann is alive, right? Right. 451 00:33:18,522 --> 00:33:22,083 And because her look-alike Amy Ryder... 452 00:33:22,159 --> 00:33:24,593 was at home with her sister this afternoon, right? 453 00:33:24,662 --> 00:33:29,031 Yeah. And Glantz says he shot the murder close-up in New York... 454 00:33:29,100 --> 00:33:31,193 with a Margot someone. 455 00:33:31,268 --> 00:33:33,793 But the numbers on the murder close-up... 456 00:33:33,871 --> 00:33:36,965 and the numbers of the scenes with Lori... 457 00:33:37,041 --> 00:33:39,032 are damn near the same. 458 00:33:39,110 --> 00:33:42,307 Similar numbers means Glantz lied. 459 00:33:42,380 --> 00:33:45,474 Three possible doubles and they're all alive, huh? 460 00:33:45,549 --> 00:33:50,953 Now you and me and Castillo, we got how many years of experience between us? 461 00:33:51,021 --> 00:33:53,990 Forty, 45. Somethin' like that. 462 00:33:54,058 --> 00:33:57,494 - Hmm. And we're wrong? - Right. 463 00:33:57,561 --> 00:34:00,223 - You believe that? - Hell, no. 464 00:34:02,233 --> 00:34:04,047 Let's go. 465 00:34:04,072 --> 00:34:07,429 [Man] Jillie, who is it? Who's calling at this hour? Go back to bed, Dad. 466 00:34:07,505 --> 00:34:10,668 Who—Who is it, Jillie? It's me, sir. Sonny Burnett. 467 00:34:10,741 --> 00:34:13,904 I just stopped by to askJill a couple of questions about her sister. 468 00:34:13,978 --> 00:34:17,175 Oh, she don't have a sister. I only got one daughter. 469 00:34:17,248 --> 00:34:19,307 Just one. Don't have another. 470 00:34:19,383 --> 00:34:21,851 Okay, Dad. Go to bed. 471 00:34:21,919 --> 00:34:26,288 Dad doesn't approve of Amy's modeling at the art school. What else doesn't he approve of? 472 00:34:26,357 --> 00:34:31,818 She got mixed up with that guy Glantz, didn't she? I've never heard of him. It's late. 473 00:34:31,896 --> 00:34:35,457 When I was here before, you lied when you said that Amy just left. 474 00:34:35,533 --> 00:34:38,001 Why? Where is she? 475 00:34:38,068 --> 00:34:41,367 She moved out a couple of months ago. To do that movie with Glantz, 476 00:34:41,439 --> 00:34:46,706 Death and the Lady, right? No. No movies. I haven't seen her since she left. Please go. 477 00:34:49,747 --> 00:34:52,113 I don't want my Dad to find out. 478 00:34:52,183 --> 00:34:54,174 She said she was, but that's all I know. 479 00:34:54,251 --> 00:34:57,186 Did she tell you what she was gonna do in that film? 480 00:34:57,254 --> 00:35:00,189 No, really, that's all I know. That's all she told me. 481 00:35:02,092 --> 00:35:04,083 Jill— 482 00:35:07,465 --> 00:35:09,456 That's enough. 483 00:35:21,445 --> 00:35:26,576 In the time frame you're looking at, there were six female Caucasians age 20 to 30... 484 00:35:26,650 --> 00:35:30,518 who turned up as Jane Doe, deceased, in Florida. 485 00:35:30,588 --> 00:35:33,489 We've got two of'em in theJackson Memorial Morgue. 486 00:35:33,557 --> 00:35:37,323 One of'em was interesting. Some kind of a voodoo— 487 00:35:37,394 --> 00:35:39,385 Anybody with knife wounds? 488 00:35:40,564 --> 00:35:43,658 Five. Knives are the weapons of choice these days, you know. 489 00:35:43,734 --> 00:35:48,694 Yes, I know. Look, why don't you pull the records? We'll see if we can come up with a match. 490 00:35:48,772 --> 00:35:51,832 Well, they'll have to come from Tallahassee in the morning. 491 00:35:51,909 --> 00:35:54,969 It must be something special. 492 00:35:55,045 --> 00:35:57,036 What? The case— 493 00:35:57,114 --> 00:36:01,073 to drag me out of bed. It's a work of art. 494 00:36:01,151 --> 00:36:04,951 You lied to me about seeing your sister, and you're lying to me about Glantz. 495 00:36:05,022 --> 00:36:09,356 You weren't telling me the truth. And I think you're tryin' to protect him. 496 00:36:09,426 --> 00:36:12,418 No, I've never even met him. Well, you should. 497 00:36:13,430 --> 00:36:16,058 He killed your sister. 498 00:36:16,133 --> 00:36:18,294 And I think you know that too. 499 00:36:18,369 --> 00:36:21,338 Just talk to us, Jill. Please leave me alone. 500 00:36:21,405 --> 00:36:24,133 What was it, blackmail? Did Glantz threaten you? 501 00:36:24,158 --> 00:36:28,336 I wanna go. You know, I can't get this film outta my head. 502 00:36:28,412 --> 00:36:32,371 I can't get it outta my head, and she's not even my sister. Have you seen it? 503 00:36:32,449 --> 00:36:35,907 I'll bet you haven't even seen it. Take a look at this. No, I don't— 504 00:36:35,986 --> 00:36:40,389 Take a look at it. You take a look at that, and then tell me you wanna protect Glantz. 505 00:36:40,457 --> 00:36:42,448 Go ahead. Take a look at that. 506 00:36:42,526 --> 00:36:44,406 Hmm? Please— 507 00:36:44,445 --> 00:36:47,903 - Look at that. Take a look at that. That guy killed her! - That's not my— 508 00:36:47,982 --> 00:36:50,951 - Look at it. Look at it! - Tell him! - You look at her! 509 00:36:51,018 --> 00:36:53,248 Not me, you! 510 00:36:53,320 --> 00:36:55,788 I know what she went through— 511 00:36:55,856 --> 00:36:58,882 not the snuff film, before. 512 00:36:58,959 --> 00:37:03,020 She let Glantz do that to her! She let him! 513 00:37:05,065 --> 00:37:09,126 [Sobs] She was so snowed out, she wasn't there. 514 00:37:13,441 --> 00:37:15,432 [Crying] 515 00:37:17,000 --> 00:37:18,991 She was dying. 516 00:37:21,015 --> 00:37:23,711 She had two, three weeks to live. 517 00:37:26,253 --> 00:37:28,483 She had thoracic cancer. 518 00:37:32,993 --> 00:37:35,928 Glantz paid her a lot— 519 00:37:39,667 --> 00:37:43,398 money she gave to Dad for his treatments. 520 00:37:49,944 --> 00:37:52,640 She said it was Glantz's money. 521 00:37:53,205 --> 00:37:55,400 It was cash. 522 00:37:55,916 --> 00:37:58,316 There's no record. 523 00:38:18,038 --> 00:38:22,532 Ah, Mr. Crockett, Mr. Tubbs. Doing a little late-night collecting? I'm afraid the gallery is— 524 00:38:22,610 --> 00:38:24,601 [Crockett] You have the right to remain silent. 525 00:38:24,678 --> 00:38:28,409 Anything you say can and will be used against you in a court of law. 526 00:38:28,482 --> 00:38:34,011 You have the right to an attorney. If you cannot afford one, one will be appointed for you. 527 00:38:38,523 --> 00:38:41,321 Yeah, Glantz wasn't even there when they filmed her death. 528 00:38:41,392 --> 00:38:44,623 He hired a guy who could be anywhere in the world right now. 529 00:38:44,696 --> 00:38:50,134 I'll get the F.B.I. To run a trace. See if they can come up with any mechanics that were here during July. 530 00:38:50,201 --> 00:38:54,969 Yeah? Tell 'em we're lookin' for a guy in a wolf's head who did something a little stronger than euthanasia. 531 00:38:54,994 --> 00:38:57,485 And don't hold your breath while we're waitin'. 532 00:38:58,734 --> 00:39:02,534 The fingerprints from theJane Doe, deceased, that the coroner came up with— 533 00:39:02,547 --> 00:39:05,948 They do match Amy Ryder's. 534 00:39:06,017 --> 00:39:10,716 They found her 11 days after the murder in an alley in Tampa. "Homeless" was the designation. 535 00:39:10,789 --> 00:39:12,125 [Footsteps Approaching] 536 00:39:12,150 --> 00:39:17,890 There were knife wounds where we'd expect, but the medical examiner cannot identify them as the immediate cause of death. 537 00:39:18,863 --> 00:39:21,423 He says it could have been the cancer. 538 00:39:21,499 --> 00:39:25,401 Amy Ryder has been missing since this film was shot. [Meowing] 539 00:39:25,470 --> 00:39:30,100 Glantz lied about when and where he shot the insert of the murder. 540 00:39:30,175 --> 00:39:33,201 Now, have you ever heard of a murderer before... 541 00:39:33,278 --> 00:39:38,238 making a film about the act, and then showing it to thousands of people? 542 00:39:39,517 --> 00:39:42,850 He killed her, and now he's flauntin' it. 543 00:39:43,922 --> 00:39:47,380 His lawyer could start a jury thinkin' that maybe he did her a favor. 544 00:39:47,459 --> 00:39:50,087 Work on their compassion. You know what I mean? 545 00:39:51,296 --> 00:39:53,821 It's still murder. 546 00:39:53,898 --> 00:39:55,889 This is no mercy killing. 547 00:39:55,967 --> 00:39:59,403 It is bloodless, brutal exploitation. 548 00:39:59,471 --> 00:40:04,033 Even if she wanted it, she was his victim. 549 00:40:04,109 --> 00:40:07,272 Look, I'm 60% with you, Crockett. 550 00:40:07,345 --> 00:40:11,008 I just— I can't sell what we've got to a jury. It's all circumstantial. 551 00:40:11,082 --> 00:40:13,765 Come on. Edge numbers? Body doubles? 552 00:40:13,790 --> 00:40:17,677 You can't even prove that the money Amy left her father came from Glantz! 553 00:40:23,027 --> 00:40:25,461 Let's spend our time on somebody we can nail. 554 00:40:27,999 --> 00:40:30,058 What was it that Glantz said? 555 00:40:31,069 --> 00:40:33,060 "This wasn't a murder. 556 00:40:33,989 --> 00:40:37,550 [Meows] It was erotic performance art." 557 00:40:38,826 --> 00:40:41,420 [Tubbs] This has got to be a new legal record, Hughes. 558 00:40:41,496 --> 00:40:45,432 [Bell Dings] Guy walks on murder one in six hours and 11 minutes by my watch. 559 00:40:45,500 --> 00:40:49,437 [Hughes] I tried to tell you, there's no case. You should've reviewed the evidence with me before you busted him. 560 00:40:49,462 --> 00:40:54,547 We got an eyewitness to the murder. The sister said she made the movie. I caught Glantz in a lie. What else do you want? 561 00:40:54,572 --> 00:41:00,195 I got too much. I got three blondes. I got 20 witnesses who put Glantz a mile away. What'll get 'im? 562 00:41:00,220 --> 00:41:02,396 Proof of murder would be nice. 563 00:41:15,771 --> 00:41:19,577 Tell me, Mr. Crockett. When I go back to work, do you intend to arrest me again? 564 00:41:19,650 --> 00:41:22,710 Perhaps on a more substantial charge? 565 00:41:23,326 --> 00:41:25,371 My friends, who, by the way, include... 566 00:41:25,396 --> 00:41:29,332 nearly a dozen major museums and contributors, 567 00:41:29,444 --> 00:41:31,435 are quite concerned... 568 00:41:31,513 --> 00:41:34,482 about your efforts to limit my artistic freedom. 569 00:41:36,418 --> 00:41:41,720 You weren't being censored, Milt baby. You were being arrested for murder. 570 00:41:42,991 --> 00:41:46,256 Yes, assuming someone was murdered during the filming of my movie, 571 00:41:46,328 --> 00:41:50,890 and assuming that I wasn't miles away at a bar with witnesses when it happened, 572 00:41:50,966 --> 00:41:55,630 and assuming that you can prove that I had planned it. 573 00:41:56,838 --> 00:41:59,500 Perhaps it was just the psychotic act... 574 00:41:59,574 --> 00:42:03,874 of a porn star who went crazy when the cameras were running. 575 00:42:04,655 --> 00:42:07,351 But that's not what happened. 576 00:42:07,980 --> 00:42:09,971 Is it? 577 00:42:10,919 --> 00:42:13,080 Merely hypothetical. 578 00:42:13,154 --> 00:42:16,681 But it might make an interesting defense if I ever need one. 579 00:42:28,937 --> 00:42:30,928 Another day, Detective. 580 00:42:41,883 --> 00:42:48,595 ( ♪ The Edge of Town - The Truth ♪ ) 581 00:44:15,110 --> 00:44:17,442 [Glantz] Detective Crockett. 582 00:44:17,512 --> 00:44:21,243 Have you come... to wish me bon voyage? 583 00:44:21,316 --> 00:44:23,307 [Inhales Deeply] 584 00:44:23,384 --> 00:44:26,945 This is nice. Very nice, Glantz. 585 00:44:30,892 --> 00:44:33,258 Powerful, powerful picture. 586 00:44:39,701 --> 00:44:42,499 And it's— 587 00:44:42,570 --> 00:44:44,697 it's all okay. 588 00:44:44,772 --> 00:44:46,763 Isn't it? 589 00:44:49,978 --> 00:44:52,412 Because you didn't kill her. 590 00:44:52,480 --> 00:44:54,471 Right? 591 00:44:56,851 --> 00:44:59,217 You were— 592 00:44:59,287 --> 00:45:03,280 You were in a bar... with witnesses when it happened. 593 00:45:03,358 --> 00:45:05,349 Right? 594 00:45:08,796 --> 00:45:11,526 Yeah. Eh! 595 00:45:12,534 --> 00:45:14,525 She would've died anyway. 596 00:45:20,975 --> 00:45:22,966 So you got away with it. 597 00:45:24,179 --> 00:45:26,739 The perfect murder— 598 00:45:30,875 --> 00:45:32,866 all in the name of art. 599 00:45:33,655 --> 00:45:35,646 Right? 600 00:45:39,794 --> 00:45:41,785 Wrong. 601 00:45:48,236 --> 00:45:51,501 You think violence is attractive? 602 00:45:52,807 --> 00:45:57,403 You think violence is chic and artistic? 603 00:45:59,914 --> 00:46:02,474 You think violence is fun? 604 00:46:04,553 --> 00:46:06,851 Do you wanna know what violence is? 605 00:46:12,427 --> 00:46:15,123 This is violence. [Grunts] 606 00:46:17,602 --> 00:46:20,372 [Groans] Is that attractive? 607 00:46:20,635 --> 00:46:22,626 That excite you, huh? 608 00:46:24,205 --> 00:46:26,366 That titillate you? Did it? 609 00:46:27,709 --> 00:46:30,075 Was that chic? Huh? 610 00:46:30,144 --> 00:46:32,578 Did you like that? 611 00:46:32,647 --> 00:46:35,445 Get over here. Stop. 612 00:46:35,516 --> 00:46:37,507 [Groaning] 613 00:46:49,430 --> 00:46:51,421 [Panting] 614 00:46:57,405 --> 00:47:00,135 [Door Opens] 615 00:47:00,208 --> 00:47:02,836 [Door Closes] [Siren Wailing In Distance] 616 00:47:18,012 --> 00:47:25,247 Resync By Chuck D:<